Everything will be alright if you keep me next to you Composição: Max Martin / Shellback / Taylor Swift. She also performed the song on her third concert tour, The Red Tour, and on at the Billboard Music Awards. Underneath the heel-clicking positivity and shiny production sits the line 'We're happy, free, confused and lonely in the best way', a rather stunning meditation on being in your early 20s that's flicked off like a piece of pre-chorus lint. "22" is a song recorded by American singer-songwriter Taylor Swift for her fourth studio album, Red (2012). The CD single was sold by itself or via an exclusive package with the Red Tour items and a T-shirt. Copyright: Writer(s): Max Martin, Taylor Swift, Shellback Lyrics Terms of Use, It feels like a perfect night to dress up like hipsters Thus, she called Max Martin and Shellback, two songwriters and producers whose work she admired, to discuss a possible collaboration. Tem certeza que deseja excluir esta playlist? Taylor Swift - betty (Live from the 2020 Academy of Country Music Awards) orXAg5dIMa8. It was directed by Anthony Mandler, who had previously directed the music video for Swift's "I Knew You Were Trouble". You don't know about me but I bet you want to The sixth track on Red finds Taylor Swift celebrating her early twenties by having some (reckless) fun. Your email address will not be published. This category only includes cookies that ensures basic functionalities and security features of the website. And make fun of our exes, uh uh uh uh, It feels like a perfect night for breakfast at midnight 【輸入盤】Speak Now World Tour Live (+dvd) It reached 2 million in sales by 2014. Sim, estamos felizes, livres, confusas e solitárias, ao mesmo tempoÉ miserável e mágicoOh sim, hoje é a noite em que esqueceremos os prazosEstá na hora, oh oh! Even when she's having fun, Swift is succinctly communicating conflicting emotion. An exclusive limited edition individually numbered CD single was also released exclusively to Swift's store on March 13, 2013, the same day the music video was released. You still know nothing, but you know that you know nothing. It’s a far cry from the Swift of yesteryear, whose Shakespeare references were more Romeo and Juliet than Julius Caesar.The music video was shot in Malibu, California.
There’s also an inscription on Swift’s gold throne that reads “Et Tu Brute”, the Latin phrase used in William Shakespeare’s Julius Caesar when Caesar is being assassinated by his friend Brutus. More than a year later, it seems Swift’s ready to embrace the title: ahead of the single’s release, she dropped cryptic reptilian teaser videos. Afterwards, Swift’s reputation as a snake in sheep’s clothing took off Kardashian helped further that image by tweeting a bunch of snake emojis on international snake day. One even serves her what we can only assume is piping hot tea, the kind Kim Kardashian dished out when she released audio of Swift, who publicly disputed Kanye West’s lyric about her in Famous, appearing to sign off on those same lyrics in a phone conversation with West. This next one is a dead giveaway: Swift sits atop a throne as dozens of snakes slither at her feet. But the Old Swift be damned this new one is all about retribution and, as the title of her forthcoming album suggests, reputation. So much so that hearing her new single made me nostalgic for the days of Fearless and Red. In the battle between Swifts, my allegiance is with the deceased version, a shrewd chronicler of young-adult courtship and seasoned, starry-eyed songwriter.
“She can’t come to the phone right now,” Swift 2.0 says. Near the end of the song, she answers a phone call someone’s asking to speak with Taylor Swift.
Continuing in the tradition of her last album, 1989, which marked Swift’s official evolution into pop music behemoth, it largely abandons that which made her a household name – singable melodies sharp, specific lyricism grand tales of romantic enchantment – in favor of radio-engineered pop and glib proclamations of vengeance. Look What You Made Me Do – or LWYMMD, as its Twitter hashtag dictates – is well on its way to smashing streaming records, but the song hasn’t been as well received by critics. Yes, it’s painfully on-the-nose, but Swift’s brand hasn’t exactly been built on subtlety. Release a music video – for her new single, Look What You Made Me Do – that’s practically boiling over with meta-commentary and self-referential detail, from an ongoing visual snake motif to a tombstone that literally reads “Taylor Swift’s reputation”.